Ottorino Respighi
Violin Sonata in B minor, P 110
Moderato
Andante espressivo
Passacaglia. Allegro moderato
Anton Arensky
Piano Trio in D minor, No. 1 Op. 32
Allegro moderato
Scherzo. Allegro molto
Elegia. Adagio
Finale. Allegro non troppo
Ottorino Respighi
Violin Sonata in B minor, P 110
Moderato
Andante espressivo
Passacaglia. Allegro moderato
Anton Arensky
Piano Trio in D minor, No. 1 Op. 32
Allegro moderato
Scherzo. Allegro molto
Elegia. Adagio
Finale. Allegro non troppo
Nell'ambito del Progetto Speciale:As part of the Special Project:
Nel segno di Dvořák e Brahms: il pianoforte da camera
Disponibile pullman A/R da Lecce (Porta Napoli)
Servizio a pagamento - 12 euro
Info e prenotazioni:
Return bus available from Lecce (Porta Napoli)
Paid service - 12 euros
Info and reservations: federicaoperaprima@gmail.com
Nell’ambito del Progetto Speciale “ Nostalgia e ironia in Rachmaninov e Poulenc”
As part of the Special Project "Nostalgia and irony in Rachmaninov and Poulenc"
Beatrice Rana has been shaking the international classical music world, arousing admiration and interest from concert presenters, conductors, critics and audiences internationally.
Beatrice performs at the world’s most esteemed concert halls and festivals including Vienna’s Konzerthaus and Musikverein, Berlin Philharmonie, Amsterdam’s Concertgebouw, New York’s Lincoln Center and Carnegie Hall, Zurich’s Tonhalle, London’s Wigmore Hall, Royal Albert Hall and Royal Festival Hall, Philharmonie de Paris, Théâtre des Champs-Elysées, KKL Lucerne, Cologne Philharmonie, Munich’s Gasteig, Prinzregententheater and Herkulessaal, Frankfurt’s Alte Oper, Milan’s Società dei Concerti, Ferrara Musica, Verbier Festival, Klavier Festival Ruhr, Lugano’s LAC, La Roque d’Anthéron Festival, Rencontres Musicales d’Evian, Bucharest Enescu Festival, Mostly Mozart Festival at Lincoln Center, San Francisco Performances, Los Angeles’ Walt Disney Hall and Hollywood Bowl, Washington D.C.’s Kennedy Center.
She collaborates with conductors such as Yannick Nézet-Séguin, Antonio Pappano, Fabio Luisi, Riccardo Chailly, Paavo Järvi, Valery Gergiev, Yuri Temirkanov, Gianandrea Noseda, Vladimir Jurowski, Gustavo Gimeno, Jun Märkl, Trevor Pinnock, Louis Langrée, James Gaffigan, Mirga Gražinytė-Tyla, Sakari Oramo, Lahav Shani, Andrés Orozco-Estrada, Gustabo Gimeno, Susanna Mälkki, Klaus Mäkelä, Kent Nagano, Leonard Slatkin or Zubin Mehta. Orchestral appearances include the Royal Concertgebouw Orchestra, London Philharmonic Orchestra, Bayerische Rundfunk Sinfonieorchester, City of Birmingham Symphony Orchestra, Orchestre de Paris, Royal Stockholm Philharmonic Orchestra, Toronto Symphony Orchestra, BBC Symphony Orchestra, Philadelphia Orchestra, Los Angeles Philharmonic, Detroit Symphony Orchestra, NHK Symphony, Dallas Symphony Orchestra, Pittsburgh Symphony Orchestra, Melbourne Symphony Orchestra, Seoul Philharmonic, Orchestre National de France, Tonkünstler Orchester, Lucerne Symphony Orchestra, Orchestra dell’Accademia Nazionale di Santa Cecilia, Orchestra Sinfonica della RAI, Filarmonica della Scala, Helsinki Philharmonic, Royal Liverpool Philharmonic, Danish National Symphony Orchestra, and the St Petersburg Philharmonic.
During the upcoming seasons, Beatrice will tour in Europe with the London Symphony Orchestra and Gianandrea Noseda, the Bayerische Rundfunk Symphony Orchestra and Yannick Nézet-Seguin, the Orchestre Philharmonique du Luxembourg and Gustavo Gimeno and Amsterdam Sinfonietta. She will also tour in Asia with the Orchestra dell’Academia di Santa Cecilia and Antonio Pappano. 2021/22 will also see her debut with the New York Philharmonic and Boston Symphony Orchestra.
Beatrice will play recitals at Carnegie Hall’s mainstage as part of their Virtuoso series, Philharmonie de Paris, Gilmore Keyboard Festival, Hamburg’s Laeiszhalle (Pro Arte Series) and will return to the Cologne Philharmonie and Stuttgart’s Liederhalle.
Beatrice Rana records exclusively for Warner Classics. In 2015, her first album featuring Prokofiev Piano Concerto No.2 and Tchaikovsky Piano Concerto No.1 with Antonio Pappano and the Accademia Nazionale Santa Cecilia di Roma received international acclaim including the prestigious Gramophone Magazine’s Editor’s Choice and BBC Music Magazine’s Newcomer of the Year Award. The year 2017 will remain a milestone in her career with the release of Bach’s Goldberg Variations. The recording was praised by reviewers worldwide and was crowned by two major awards: “Young Artist of the Year” at the Gramophone Awards and “Discovery of the year” at the Edison Awards. In June 2018, she was chosen as Female Artist of the Year at the Classic BRIT Awards at the Royal Albert Hall for her recording of the Bach. Beatrice also recorded Bernstein Symphony No.2 ‘Age of Anxiety’ as part of Antonio Pappano’s recording of the composer’s complete symphonies, which also garnered her high critical acclaim. Her latest solo album was released in October 2019, featuringworks by Stravinsky and Ravel and was awarded several top prizes incuding Diapason d’Or de l’Année and Choc de l’Année Classica in France. A Chopin album wil be released in the fall 2021.
In 2017, Beatrice started her own chamber music festival « Classiche Forme » in her native town of Lecce, Puglia. The festival has become one of Italy’s major summer events. She also became artistic director of the Orchestra Filarmonica di Benevento in 2020.In June 2013, Beatrice won Silver (2nd Prize) and the Audience Award at the prestigious Van Cliburn competition. She had attracted international attention at 18, winning 1st Prize and all special prizes at the Montreal International Competition in 2011. A recipient of an impressive number of first prizes in national and international piano competitions, such as “Muzio Clementi” Competition, “International Piano Competition of the Republic of San Marino” and “Bang&Olufsen PianoRAMA Competition”. Born to a family of musicians in 1993, Beatrice Rana made her debuts as a soloist with orchestra at the age of 9, performing Bach Concerto in F minor. Beatrice began her musical studies at four and achieved her Piano Degree under the guidance of Benedetto Lupo at the Nino Rota Conservatory of Music in Monopoli, where she also studied composition with Marco della Sciucca. She then studied with Arie Vardi in Hannover and again with Benedetto Lupo at the Accademia di Santa Cecilia. She is based in Rome.
Born in 1995 in a family of musicians, Ludovica started her soloist career at a young age, performing in recitals for prestigious concert societies, including Società dei Concerti di Milano, Cremona Mondo Musica, Fazioli Concert Hall, Accademia Filarmonica di Messina, Varignana Music Festival, I concerti del Quirinale, Festival Classiche Forme, as well as a soloist with many orchestras, such as Orchestra ICO di Lecce, Orchestra di Padova e del Veneto and Orchestra Sinfonica Siciliana.
As a chamber musician, she had numerous collaborations with the sister Beatrice Rana, Enrico Dindo, Pablo Ferràndez, Giovanni Sollima, Bruno Giuranna, Oleg Kaskiv, Francesco Libetta, Massimo Quarta, Danilo Rossi, Alessandro Taverna, Pavel Vernikov.
After graduating with honors in 2014 at the Istituto Musicale “Giovanni Paisiello” in Taranto, in the class of Andrea Agostinelli, Ludovica continued her studies with Enrico Dindo at the Pavia Cello Academy and at the Conservatorio della Svizzera Italiana in Lugano, where she achieved her Master in Music Performance, and with Giovanni Sollima at the Accademia Nazionale di Santa Cecilia, where she graduated with honours. At the Accademia Nazionale di Santa Cecilia she also completed with honours the Chamber Music course with Carlo Fabiano.
She also studied with renowned cellists, such as Michael Flaksman, Johannes Goritzki, Antonio Meneses, Frans Helmerson, Antonio Mosca, Asier Polo, Troels Svane, Rafael Wallfish.
Since 2024 she is the Artistic Director Festival di Pasqua in Lecce. She is Chamber Music professor at the Conservatoire “Niccolò Piccinni” in Bari.
Stephen Waarts’ innate and poetic musical voice has established him as a firm favourite with audiences: he has already performed more than 30 violin concertos. Stephen has performed with various orchestras, such as the Chamber Orchestra of Europe, Hr-Sinfonieorchester, Antwerp Symphony Orchestra, Orchestre National de Belgique, Lucerne Symphony Orchestra, Halle Orchestra, and with conductors including Christoph Eschenbach, Marin Alsop, Constantinos Carydis, Nicholas McGegan, Maxime Pascal, and Elim Chan.
He made his debuts with the Konzerthausorchester Berlin with Stephanie Childress, and Israel Philharmonic Orchestra with Sir András Schiff, with Philharmonie Zuidnederland, Cappella Aquileia at Opera Festival Heidenheim, and the Nash Ensemble.
Waarts has appeared in recital at Philharmonie Luxembourg, Philharmonie Haarlem, Fundación Juan March, Lincoln Center for the Performing Arts, Auditorium du Louvre, Vancouver Recital Society and Wigmore Hall, with renowned musicians, such as Andras Schiff, Tabea Zimmermann, Marie-Elisabeth Hecker, Martin Helmchen and Timothy Ridout.
Waarts has appeared regularly at festivals including Aspen, Marlboro, Krzyżowa, Con Spirito Leipzig, Rheingau, and Jerusalem. He released Mozart Violin Concerto No. 1 for Alpha Classics with the Camerata Schweiz under Howard Griffiths.
He was awarded the International Classical Music Awards Orchestra Award by the Lucerne Symphony Orchestra in 2019.Stephen is completing his studies at the Kronberg Academy, after his Masters degree from the Curtis Institute, Philadelphia, where he studied under Aaron Rosand. In 2013 he won the Young Concert Artists International Auditions in New York, aged just 17. He was also prize-winner at the 2013 Montreal International Competition and won first prize at the 2014 Menuhin Competition. Stephen is part of the Development Programme of the Orpheum Foundation for the Advancement of Young Soloists.