Clara Schumann
Tre romanze per violino e pianoforte op. 22
Maurice Ravel
Sonata per violino e violoncello M. 73
Allegro
Très vif
Lent
Vif, avec entrain
Robert Schumann
Trio n. 2 in fa maggiore, op. 80
Sehr lebhaft
Mit innigem Ausdruck. Lebhaft
In massiger Bewegung
Nicht zu rasch
Nell'ambito del Progetto Speciale:As part of the Special Project:
Nel segno di Dvořák e Brahms: il pianoforte da camera
Nell'ambito del Progetto Speciale:As part of the Special Project:
Futuro Presente
Con il sostegno di MiC e di SIAE, nell'ambito del programma With the support of MiC and SIAE, within the framework of the program Per Chi Crea
In collaborazione con In partnership with Fondazione Sylva
Disponibile pullman A/R da Lecce (Porta Napoli)
Servizio a pagamento - 12 euro
Info e prenotazioni:
Return bus available from Lecce (Porta Napoli)
Paid service - 12 euros
Info and reservations: federicaoperaprima@gmail.com
Nell’ambito del Progetto Speciale “ Nostalgia e ironia in Rachmaninov e Poulenc”
As part of the Special Project "Nostalgia and irony in Rachmaninov and Poulenc"
First Prize at the Joseph Joachim Violin Competition in Hannover, and prizewinner at the XV International Tchaikovsky Competition in Moscow and at the Singapore International Violin Competition, Alexandra Conunova has been hailed by her virtuosity, warm tone, impressive range of color, and flawless technique. She also received the prestigious Fellowship by the Borletti-Buittoni Trust in London.
Conunova has appeared with many of the leading international orchestras, such as the Orchestre de Paris, Mahler Chamber Orchestra, NDR Radiophilharmonie, Orchestre de la Suisse Romande and many other.
Alexandra’s first recording of Prokofiev Violin Sonatas with Michail Liftis, on Aparté, was received with great acclaim: “This recording reveals Conunova as a major artist – in terms of both technical assurance and interpretative daring… I can’t recommend their freshly considered, vividly recorded interpretations highly enough” (Gramophone); “…this is already a candidate for one of the best discs of the year” (The Strad).
In the last years Alexandra has had the pleasure of working under the guidance and mentoring of one of the world’s leading professors, Edouard Wulfson, in Geneva. Alexandra currently plays on Giovanni Batistta Guadagnini, ca. 1785 ex “Ida Levin”, on a kind loan from a music lover.
Brannon Cho is the First Prize winner of the prestigious 6th International Paulo Cello Competition, and is also a top prize winner of the Queen Elisabeth, Naumburg, and Cassadó International Cello Competitions.
Most recently, Brannon Cho is the recipient of the 2020 Janos Starker Foundation Award, the Landgraf von Hessen Prize from Kronberg Academy, the 2019 Ivan Galamian Award previously held by James Ehnes, and is a scholarship holder in the Anne-Sophie Mutter Foundation.
Brannon Cho has appeared as a soloist with many of the top orchestras around the world, including the Helsinki Philharmonic Orchestra, Minnesota Orchestra, Chamber Orchestra of Europe, Belgian National Orchestra, Tokyo Philharmonic Orchestra, and Brussels Philharmonic. Born in New Jersey, Brannon Cho received his Bachelor’s degree from Northwestern University’s Bienen School of Music under Hans Jørgen Jensen. He was awarded the Artist Diploma from the New England Conservatory, where he studied with Laurence Lesser. He also completed the Professional Studies program at the Kronberg Academy, under the tutelage of Frans Helmerson. Brannon Cho performs on a rare cello made by Antonio Casini in 1668 in Modena, Italy, and is sponsored by Thomastik-Infeld.
Beatrice Rana performs at the world’s most esteemed concert halls and festivals including the Berlin Philharmonie, Concertgebouw Amsterdam, Carnegie Hall, Barbican Centre, Royal Albert Hall, Philharmonie de Paris, Vienna’s Konzerthaus and Musikverein, KKL Lucerne, Cologne Philharmonie, Munich’s Isarphilharmonie, Frankfurt’s Alte Oper, Hamburg’s Elbphilharmonie, Tonhalle Zurich, Philharmonie de Luxembourg, Teatro alla Scala, BBC Proms.
She collaborates with conductors such as Yannick Nézet-Séguin, Antonio Pappano, Klaus Mäkelä, Lahav Shani, Manfred Honeck, Riccardo Chailly, Gianandrea Noseda, Jaap van Zweden, Jakub Hrusa, Paavo Järvi, Elim Chan, Gustavo Gimeno, Fabio Luisi, Vladimir Jurowski, Dima Slobodeniouk, James Gaffigan, Mirga Gražinytė-Tyla, Susanna Mälkki and Zubin Mehta.
Beatrice is the guest of such orchestras as the Berlin Philharmonic Orchestra, Royal Concertgebouw Orchestra, London Symphony Orchestra, Bayerische Rundfunk Sinfonieorchester, New York Philharmonic, Cleveland Orchestra, Chicago Symphony Orchestra, Boston Symphony Orchestra, Philadelphia Orchestra, Los Angeles Philharmonic, NHK Symphony Munich Philharmonic Orchestra, Chamber Orchestra of Europe, Academy of St Martin in the Fields, Orchestre de Paris, Lucerne Festival Orchestra, Orchestra dell' Accademia Nazionale di Santa Cecilia, Orchestra Sinfonica della RAI, Filarmonica della Scala, Seoul Philharmonic among many other top orchestras.
In the 2024/25 season, Beatrice is artist in residence at Paris’ Radio-France. The residency will involve a recital at the Auditorium de Radio France and several concerts and tours with both in-house orchestras, the Orchestre Philharmonique de Radio France and Orchestre National de France and their music directors Mikko Frank and Cristian Macelaru. She will also return to the New York Philharmonic with Marek Janowski, Sinfonieorchester des Bayerischen Rundfunks under Gianandrea Noseda, Pittsburgh Symphony Orchestra under Manfred Honeck and debut with the Czech Philharmonic Orchestra.
Beatrice Rana records exclusively for Warner Classics. She released 6 albums receiving critical acclaim and several prizes including “Young Artist of the Year” at the Gramophone Awards and “Discovery of the year” at the Edison Awards in 2017. In June 2018, she was chosen as Female Artist of the Year at the Classic BRIT Awards at the Royal Albert Hall.
Beatrice Rana won Silver (2nd Prize) and the Audience Award at the prestigious Van Cliburn competition in 2013. She had attracted international attention at 18, winning 1st Prize and all special prizes at the Montreal International Competition in 2011. Born into a family of musicians Beatrice began her musical studies at four and achieved her Piano Degree under the guidance of Benedetto Lupo at the Nino Rota Conservatory of Music in Monopoli, where she also studied composition with Marco della Sciucca. She then studied with Arie Vardi in Hannover and again with Benedetto Lupo at the Accademia di Santa Cecilia.
In 2017, Beatrice started her own chamber music festival « Classiche Forme » in her native town of Lecce, Puglia. The festival has become one of Italy’s major summer events.